"The whole sound of this work was unique and full of
character."
Alan Cooper (The Herald's reviewer) on Snowing
L.A.
The most remarkable
aspect of its own style is the use of techno and pop-rock techniques and clichés
embedded in a refined contemporary language. His instrumental idiomatic writing
let the music ideas naturally flow from the instruments, often looking for mass
effects forced by uniform instrumentations, "without forgiving the real
fulfillment of the musical expectation to which all of us tend" (Marco &
Stefano Bonfanti). A meticulous and sometimes obsessive care over the page gives
a real italian tinge to his scores.
"Scores of great
appreciation."
Emanuele Segre on Sonatina I and
II
